![]() 2 on the charts, and generated since-discounted reports that it was an ode to marijuana.Īlbum No. "Moving" was the follow-up, including the hit tale of innocence lost, "Puff (The Magic Dragon)" - which reached No. ![]() Their debut album came out in 1962, and immediately scored a pair of hits with their versions of "If I Had a Hammer" and "Lemon Tree." The former won them Grammys for best folk recording, and best performance by a vocal group. It was heady stuff for a trio that had formed in the early 1960s in Greenwich Village, running through simple tunes like "Mary Had a Little Lamb." The group collected five Grammy Awards for their three-part harmony on enduring songs like "Leaving on a Jet Plane," ''Puff (The Magic Dragon)" and "Blowin' in the Wind."Īt one point in 1963, three of their albums were in the top six Billboard best-selling LPs as they became the biggest stars of the folk revival movement. They were early champions of Dylan and performed his "Blowin' in the Wind" at the August 1963 March on Washington.Īnd they were vehement in their opposition to the Vietnam War, managing to stay true to their liberal beliefs while creating music that resonated in the American mainstream. Other hits included "Lemon Tree," ''Leaving on a Jet Plane" and "Puff (The Magic Dragon.)" Their version of "If I Had a Hammer" became an anthem for racial equality. The trio mingled their music with liberal politics, both onstage and off. who searched for months for 'the girl' until he decided on Miss Travers." As The New York Times critic Robert Shelton put it not long afterward, "Sex appeal as a keystone for a folk-song group was the idea of the group's manager. Their beatnik look - a tall blonde flanked by a pair of goateed guitarists - was a part of their initial appeal. The budding trio, boosted by the arrangements of Milt Okun, spent seven months rehearsing in her Greenwich Village apartment before their 1961 public debut at the Bitter End. In the book "Positively 4th Street" by David Hajdu, Travers recalled that Grossman's strategy was to "find a nobody that he could nurture and make famous." ![]() Grossman, who later worked in the same capacity for Bob Dylan. It wasn't until she met up with Yarrow and Stookey that Travers would taste success on her own. She also appeared (as one of a group of folk singers) in a short-lived 1958 Broadway show called "The Next President," starring comedian Mort Sahl. With a group called the Song Swappers, Travers backed Seeger on one album and two shows at Carnegie Hall.
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